That reminded me of John Elliot’s idea for Mogul. “My new adventure series will combine, in a single flourish, oil-based adventure with the intrigues of the Executive Suite.
Oilmen have formed themselves into the most romantic community of our time. They take coffee with sheikhs, and pump ten thousand gallons into an aircraft as casually as you put five into your car. They are explorers, tearing about noisily in huge vehicles, and silent office workers, rapt before their ledgers. Some die in swamps of mysterious diseases, some are scientists, some politicians, some engineers, and some are very rich. They are all members of a fascinating kingdom within our society.
Oilmen spend their lives in attendance on an invisible spirit. A few actually see it, perhaps slipped over the back bumper of a customer’s car, or in a sudden terrible blaze bursting from a bore-hole. Much of the time oil moves in its mysterious way through miles of underground pipeline and in the bellies of monstrous floating tankers that convey it to its final destiny, the moment of explosion to create power and heat and speed in most of our machinery, giving reason and wealth to the vast industry of oil - which must be seen as one of the most romantic and exciting regions of dramatic entertainment ever explored.
It’s high octane, top grade up-to-the-minute television magic, and it’s available here and now, ready to go…”
And the producer, Peter Graham Scott, when reading the format said, “Dazzling images raced through my mind - The dancing flare at the top of the drilling rig, racing cars at Le Mans, massive tankers battling through storms, sleek aircraft, speedboats - plus the amazing clash of characters, smooth businessmen, and oil-stained roustabouts, slick salesmen and cautious scientists - here was a sudden chance to make a brilliant television series unlike any other yet made.”
Peter Graham Scott said of the series logo, “I designed a crude logo - a mountainous, slab-shaped M with the word Mogul underneath - to be used everywhere, in studio sets, on the front of every script, in the Radio Times billing, and made up in various sizes on printed plastic to be stuck over genuine company logos on petrol tankers, pumps, and oilmen’s helmets anywhere we filmed. (Soon Mogul stickers became a badge of pride on our crews’ car windshields.)”