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<blockquote data-quote="Willie Oleson" data-source="post: 374315" data-attributes="member: 8"><p>I guess it depends on the level of artist profile. Most eurodance acts (and also many disco acts from the 1970s) were essentially studio projects. The fact that these songs charted and became pop hits doesn't automatically make the performers pop artists.</p><p>Milli Vanilli (and their eurodance counterpart Two Unlimited) was the whole package whereas nobody cared who did the actual vocals for Italo dance act Cappella. Cappella was producer Gianfranco Bortolotti, founder of the successful Media Records label.</p><p>I consider most dance music (as in, specifically designed for the dancefloor) to be "mood" music with very little artistic value. Naturally, it takes a creative producer to come up with the good ones.</p><p>99% of all the eurodance is absolute sh*t. I have the other 1% in my collection. Only accept the best, nothing less.</p><p></p><p>I believe Bobby II did his own vocals.</p></blockquote><p></p>
[QUOTE="Willie Oleson, post: 374315, member: 8"] I guess it depends on the level of artist profile. Most eurodance acts (and also many disco acts from the 1970s) were essentially studio projects. The fact that these songs charted and became pop hits doesn't automatically make the performers pop artists. Milli Vanilli (and their eurodance counterpart Two Unlimited) was the whole package whereas nobody cared who did the actual vocals for Italo dance act Cappella. Cappella was producer Gianfranco Bortolotti, founder of the successful Media Records label. I consider most dance music (as in, specifically designed for the dancefloor) to be "mood" music with very little artistic value. Naturally, it takes a creative producer to come up with the good ones. 99% of all the eurodance is absolute sh*t. I have the other 1% in my collection. Only accept the best, nothing less. I believe Bobby II did his own vocals. [/QUOTE]
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