And here I thought I was the only one watching this. Actually I sampled it in the first season or two but didn't really get hooked on it (warts and all) until later on, so hearing your comments on the early episodes is reminding me of stuff I had forgotten. I'll refrain from spoilers.
You made a keen observation about the pacing being more like that of a daytime soap. That, I believe is one of the show's problems as time goes on (or, to be more precise, as time
doesn't go on). The passage of time is an important way of keeping the plot moving on a nighttime show like this where a season is only ten or thirteen episodes. Instead, you end up with the dreaded "monthdays" syndrome, where one day of the characters' lives can stretch out over six or more episodes. It allows for a lot of character development, but becomes kind of disconcerting when you realize how much happens to these people on a "daily" basis. I can't recall if Monthdays was a problem from the beginning or if it developed later; a seasoned breakdown writer from daytime would help Tyler Perry immensely in this regard.
In these early episodes, I recall the budget being much more constrained. Once the show became a hit (it's OWN's #1 rated show, and often wins its timeslot across all of cable), they poured a lot of money into production values, especially better lighting. So that's something else to look forward to. I mentioned on another thread here that HAHN does a lot of location work out and around Atlanta (subbing for Savannah), and the extra $$$ in the budget has allowed them to do some actual location work in Savannah, lending some authenticity to the setting. It's still 80-90% Atlanta, though.
Story-wise they get more and more outrageous, though like I said, they can get bogged down when there isn't sufficient passage of time between events. Tyler Perry is no Doug Marland when it comes to writing a soap, but he does know how to populate a soap with the classic "types".
My favorites have changed as the series progressed. Though "early Jeffrey" does border on caricature, I think TP did this intentionally to allow viewers to see Jeffrey "grow up" and come into his own, becoming more of a anti-hero. His metamorphosis is worth following. Kathryn Cryer vacillates between put-upon matriarch and nagging be-otch (with a few detours into tough-as-nails villainess), so she's always unpredictable and fun. Her rocky friendship with Hannah (the undisputed "moral center" of the show) is also well-done, because despite it all I think Kathryn, like Hannah is doing the best she can in an impossible situation. Crystal Fox (Hannah) gets to play it all, even if they make her do it in that awful wig for most of the early years. I followed Tika Sumpter when she played the good-girl Layla on OLTL, so seeing her play such an operator on this show is amazing! TP obviously wants to make her a star with this role, and she's running with it. Perry spotted Aaron O'Connell in a Liquid Plumb'r ad and hired him to play Wyatt--I can't say much without spoiling the future plots, so I'll simply say he certainly inherited his father's skills in self-destructive behavior. Keep an eye on Veronica, too--Angela Robinson can steal a scene with the best of them.
The new episodes start airing in late June. I believe they call it "the second half of season four" rather than starting a new season every time they return from hiatus. Every return from hiatus seems to set new ratings records, so I'm guessing the show will be around for years to come.