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Forgotten Faces of Hollywood's Golden Era
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<blockquote data-quote="ClassyCo" data-source="post: 228981" data-attributes="member: 7"><p><span style="font-family: 'Verdana'">Another actresses that rarely gets any significant baring in our discussions is Norma Shearer. She was a major star from the mid-1920s well into the late 1930s, juggling a decade-long-stint of mega popularity, starring in a host of commercially successful films, sometimes under the guidance of her husband, film producer Irving Thalberg. </span></p><p><span style="font-family: 'Verdana'"></span></p><p><span style="font-family: 'Verdana'">She won the Academy Award for <em>The Divorcee </em>in 1930, and played in several other then-controversial films, such as <em>A Free Soul</em> (1930). Her on-screen persona gradually matured and got grander, as she would play in such films as <em>The Barretts of Wimpole Street </em>(1934) and <em>Romeo & Juliet </em>(1936). She lit up the screen with Clark Gable in <em>Idiot's Delight </em>(1939), and got involved in some off-screen fireworks with Joan Crawford and Rosalind Russell in <em>The Women </em>(1939). </span></p><p><span style="font-family: 'Verdana'"></span></p><p><span style="font-family: 'Verdana'">Her career slowly declined when Irving Thalberg, the head production man at MGM, passed away in late 1936. Still, she was a major star, and she carried the unofficial title of the First Lady of MGM for close to a decade. It's unfair to her and her body of work that we don't mention her more than we do. </span></p><p><span style="font-family: 'Verdana'"></span></p><p> <span style="font-family: 'Verdana'"><img src="https://lh3.googleusercontent.com/proxy/Vfxq4afEMQ_Kpj1_eKVR9NkUTO5ymdr6Aff_jFaKoH2Bn39Tkn3MKomKLeDZy3HJPySHKZyrrTwU1T2hHkILzQIecAv8MgRuZdFB87k" alt="" class="fr-fic fr-dii fr-draggable " style="" /> </span></p></blockquote><p></p>
[QUOTE="ClassyCo, post: 228981, member: 7"] [FONT=Verdana]Another actresses that rarely gets any significant baring in our discussions is Norma Shearer. She was a major star from the mid-1920s well into the late 1930s, juggling a decade-long-stint of mega popularity, starring in a host of commercially successful films, sometimes under the guidance of her husband, film producer Irving Thalberg. She won the Academy Award for [I]The Divorcee [/I]in 1930, and played in several other then-controversial films, such as [I]A Free Soul[/I] (1930). Her on-screen persona gradually matured and got grander, as she would play in such films as [I]The Barretts of Wimpole Street [/I](1934) and [I]Romeo & Juliet [/I](1936). She lit up the screen with Clark Gable in [I]Idiot's Delight [/I](1939), and got involved in some off-screen fireworks with Joan Crawford and Rosalind Russell in [I]The Women [/I](1939). [I][/I] Her career slowly declined when Irving Thalberg, the head production man at MGM, passed away in late 1936. Still, she was a major star, and she carried the unofficial title of the First Lady of MGM for close to a decade. It's unfair to her and her body of work that we don't mention her more than we do. [IMG]https://lh3.googleusercontent.com/proxy/Vfxq4afEMQ_Kpj1_eKVR9NkUTO5ymdr6Aff_jFaKoH2Bn39Tkn3MKomKLeDZy3HJPySHKZyrrTwU1T2hHkILzQIecAv8MgRuZdFB87k[/IMG] [I] [/I] [/FONT] [/QUOTE]
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Forgotten Faces of Hollywood's Golden Era
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