- Awards
- 21
Frankie was a passive-aggressive, entitled harlot, yes, but the character was mostly pretty boring. Only Sable's resentment made it interesting, her sister's on-again/off-again sluttery with Jason Colby, Sable's husband.
But I just saw a decent 1965 episode of GUNSMOKE (ironically titled, "The Lady") in which Katharine Ross (who, like every young actor on their ascent at the time, guest starred several times on the popular western) played a doe-eyed innocent young ex-heiress traveling to San Francisco with her earnest aunt (Eileen Heckart) when a stage stop in Kansas leads to the aunt becoming engaged unexpectedly to a landowner after her brief stint as a saloon hussy... But Little Miss Ross wants to carry onward to California, and becomes a sudden just-add-water bitch-o-rama and hires an ugly would-be-suiter to murder her aunt's fiancé so the two women can complete their journey to Frisco, leaving Dodge City far behind in the dust.
Katharine Ross was surprisingly convincing as a nasty homicidal cow disguised as a fawn. You totally believed her. Very Kristen Shepard-esque. And you didn't really see it coming.
This is where THE COLBYS may have really dropped the ball: there was never really "a bitch" on DYNASTY'S spin-off... Connie was a tough old bird (sort of); we were supposed to see Sable as a villainess, but she was too layered and sympathetic to really be all that despicable; and while Frankie's blasé entitlement, strolling through her sister's house as if she owned it (and soon would), made her quite hate-able, the character was never kinetic enough to be all that interesting.
So perhaps what we needed to see was The Two Faces of Francesca -- a woman who was sweeter-than-sugar to Jason, Jeff and Constance, but a ghastly c**t to everybody else. Because, as it turns out, Katharine Ross could actually do it.
It might have given THE COLBYS a focus structurally the show never really had. By giving Sable more of a valid adversary other than Connie (too old and not long for the manor).
But I just saw a decent 1965 episode of GUNSMOKE (ironically titled, "The Lady") in which Katharine Ross (who, like every young actor on their ascent at the time, guest starred several times on the popular western) played a doe-eyed innocent young ex-heiress traveling to San Francisco with her earnest aunt (Eileen Heckart) when a stage stop in Kansas leads to the aunt becoming engaged unexpectedly to a landowner after her brief stint as a saloon hussy... But Little Miss Ross wants to carry onward to California, and becomes a sudden just-add-water bitch-o-rama and hires an ugly would-be-suiter to murder her aunt's fiancé so the two women can complete their journey to Frisco, leaving Dodge City far behind in the dust.
Katharine Ross was surprisingly convincing as a nasty homicidal cow disguised as a fawn. You totally believed her. Very Kristen Shepard-esque. And you didn't really see it coming.
This is where THE COLBYS may have really dropped the ball: there was never really "a bitch" on DYNASTY'S spin-off... Connie was a tough old bird (sort of); we were supposed to see Sable as a villainess, but she was too layered and sympathetic to really be all that despicable; and while Frankie's blasé entitlement, strolling through her sister's house as if she owned it (and soon would), made her quite hate-able, the character was never kinetic enough to be all that interesting.
So perhaps what we needed to see was The Two Faces of Francesca -- a woman who was sweeter-than-sugar to Jason, Jeff and Constance, but a ghastly c**t to everybody else. Because, as it turns out, Katharine Ross could actually do it.
It might have given THE COLBYS a focus structurally the show never really had. By giving Sable more of a valid adversary other than Connie (too old and not long for the manor).
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