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<blockquote data-quote="Willie Oleson" data-source="post: 412347" data-attributes="member: 8"><p>I <em>want</em> to see it exactly for that reason.</p><p></p><p>I wonder how that looks in a haunted house story.</p><p>Actually they could make it even more novel: let the action happen in the <em>other</em> room not shown on camera.</p><p>After all, HERE screams for the sequel THERE.</p><p></p><p>I think it's difficult to make all the stories equally good, and the lesser successful parts stick out like a sore thumb even if those parts would be satisfying in isolation.</p><p>And then there's the challenge of making it all connect in a plotdriven or artistic way.</p><p>Nevertheless, there is something fascinating about the more extreme anthologies like Todd Haynes' <em>Poison</em> (1991).</p></blockquote><p></p>
[QUOTE="Willie Oleson, post: 412347, member: 8"] I [I]want[/I] to see it exactly for that reason. I wonder how that looks in a haunted house story. Actually they could make it even more novel: let the action happen in the [I]other[/I] room not shown on camera. After all, HERE screams for the sequel THERE. I think it's difficult to make all the stories equally good, and the lesser successful parts stick out like a sore thumb even if those parts would be satisfying in isolation. And then there's the challenge of making it all connect in a plotdriven or artistic way. Nevertheless, there is something fascinating about the more extreme anthologies like Todd Haynes' [I]Poison[/I] (1991). [/QUOTE]
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