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Dallas Reborn: Final Episode
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<blockquote data-quote="Ray_Krebbs" data-source="post: 64806" data-attributes="member: 28"><p>Airplane Landing at Dallas Love Field Airport - Evening</p><p></p><p>Phyllis and Ellie sit next to each other, and Michael sits in front of them as the airliner lands at Dallas Love Field Airport.</p><p></p><p>“It was a rough landing, wasn’t it, Phyllis?” asks Ellie, who is recovering from a mild case of jet lag.</p><p></p><p>“Don’t talk to me, please,” Phyllis asks as she continually breathes in.</p><p></p><p>Michael looks over the seat at his ill mother and aunt. “If you ladies don’t mind, I have a phone call to make once the plan is landed,” he says.</p><p></p><p>“Believe me, son, we certainly do not care at this point,” Phyllis says as she waves herself with her own vomit bag.</p><p></p><p>The stewardess appears and looks at all the passengers. “Ladies and gentlemen, we’ll be landing shortly, so please fasten your seat belts because it’s going to be a bumpy ride.”</p><p></p><p>Phyllis’ eyes widen, and she places her hand over her face. “Oh, ****, not this again!”</p><p></p><p>Later, after the plane has landed, Michael walks over to the pay phone as Ellie and Phyllis step outside. After paying the quarter and waiting through the incessant rings, the voice of an older man answers.</p><p></p><p>“Yeah? Who is this?” the man asks.</p><p></p><p>“Father, it’s me, Michael.”</p><p></p><p>“Ah. So, I assume you and your mother landed in Dallas without much trouble,” Nolan says as he closes his legal book.</p><p></p><p>Michael chuckles slightly and places his finger against his chin. “Well, Mother and her new sister didn’t fare well in, but we got through it in one piece.”</p><p></p><p>Nolan looks at his clock. “I’m just closing up the office and handing out severance checks now, but I’ve got no choice! It’s sad to leave this place after almost ten years, but I’ll be wherever your mother is. She can’t get out of my sight,” he says firmly.</p><p></p><p>“Be sure, Father, that word of me revealing this to you doesn’t get to her, all right?” Michael asks.</p><p></p><p>Nolan chuckles and stands up. “Hmm. Don’t worry. I wouldn’t rat out on my partner in crime like that. Have I in the past?” Nolan asks.</p><p></p><p>“No, I suppose you haven’t. I just feel a little bad for turning on her like this.”</p><p></p><p>“You’re doing her a favor. She needs me, Michael. She can’t function without my very presence in her life, and she knows it. Phyllis Darth can’t fool me!”</p><p></p><p>Michael glances at the airport entrance, where Miss Phyllis impatiently waves for her son to follow. “I better go. Mother’s getting a little antsy, and I better bring her to the ranch before she embarrasses me like she did on the plane,” he tells.</p><p></p><p>“Oh! Before you go, I wanted to tell you something: I told your sister Mandy in Hollywood about our recent move, and she’s thinking of joining us. She says she has an old debt to pay, I guess. I don’t know what that means,” Nolan shrugs.</p><p></p><p>“All right, I’ll be expecting you and maybe Mandy, too. Bye!” Michael hangs up the phone and rushes outside by where his mother and aunt are.</p><p></p><p>“Michael, what in the hell kept you on that phone?” Phyllis asks as they step into the cab.</p><p></p><p>“Oh, I had to call Jill up, Mother. She wasn’t too happy to learn that I left the state and moved so far away,” Michael answers.</p><p></p><p>“Well,” Miss Ellie begins, “I know you and Jill are separated, but you’re just putting more of a strain on your marriage as it is!”</p><p></p><p>“Your aunt is right, Michael,” Phyllis adds. “God, I thought you had told her when we were back at home.”</p><p></p><p></p><p>Anita Smithfield Ewing’s Townhouse - Evening</p><p></p><p>Anita sits comfortably on her sofa while reading a magazine as the doorbell rings. She puts it down and calls out, “Who is it?”</p><p></p><p>After not receiving a reply, she struggles to get up and rushes over to answer. Seeing J.R. standing there with his sadistic grin causes her to slam the door, but he blocks it with his foot.</p><p></p><p>“Now, is that any way to greet your husband?” J.R. asks as he steps in.</p><p></p><p>Anita rushes over to the phone. “I’m calling the police!”</p><p></p><p>J.R. quickly retrieves the receiver from her hand and puts it down. “Now, we’ve got a matter to discuss,” J.R. states solemnly.</p><p></p><p>“You mean consummating our marriage, don’t you?”</p><p></p><p>“Well, I’m glad you’re not getting slow on me,” J.R. replies as he takes off his jacket.</p><p></p><p>Anita shakes her head and tries to free herself, but J.R. forces her onto the couch and begins taking her black blouse off.</p><p></p><p>“J.R., let go of me! Let go of me!” Anita shrieks.</p><p></p><p>J.R. holds her back by her arms and gains direct eye contact. “I gave you a chance, but we’ll have to do it the hard way!”</p><p></p><p></p><p>Southfork Ranch; the Lounge - Late Evening</p><p></p><p>Following J.R.’s absence was the arrival of John Ross and Sue Ellen from their pleasant evening out. Introductions were thoroughly made, and soon the whole room was filled with jokes and laughter, something that had been missed from the household for years and years.</p><p></p><p>The cab carrying Phyllis, Ellie and Michael pulls down the stretched Southfork driveway. Unknown to anyone, a sleek black car is hidden on the abandoned farm across the street from the ranch, and Kelly begins photographing the taxi with a long-distance camera.</p><p></p><p>Later, everyone’s fun-filled night is interrupted by the arrival of Miss Ellie, who bears a strong presence in the family, in the lounge. Bobby smiles at his mother and embraces her.</p><p></p><p>“Welcome back to your home, Mama. It’s good to be back, Bobby,” Ellie says.</p><p></p><p>“Are Auntie Phyllis and her son with you?” Bobby asks curiously.</p><p></p><p>“Yes. I wanted to come in first, though, and see you all again,” Ellie answers, and they are all soon joined by Miss Phyllis and Michael.</p><p></p><p>Miss Ellie smiles as her family welcomes her sister’s family into her home; then, she glances at Allison and believes her to be April. The string of emotions running through her is too much to bear.</p><p></p><p>“Oh, my… oh, my God!” Ellie says as she begins to feel weak and falls back onto the chair.</p><p></p><p>“Are you all right, Sis?” Phyllis asks in grave concern as she leans over.</p><p></p><p>Miss Ellie suddenly loses her lively appearance, and her head leans to the side.</p><p></p><p>Bobby reaches over to check her pulse. “I can’t feel… I can’t feel a pulse. Sue Ellen, call 911....”</p><p></p><p>Sue Ellen tries to remain calm as she dials and asks for an ambulance. Allison backs into a corner in panic with Alexis, fearing that she was the cause of Miss Ellie’s apparent death…</p></blockquote><p></p>
[QUOTE="Ray_Krebbs, post: 64806, member: 28"] Airplane Landing at Dallas Love Field Airport - Evening Phyllis and Ellie sit next to each other, and Michael sits in front of them as the airliner lands at Dallas Love Field Airport. “It was a rough landing, wasn’t it, Phyllis?” asks Ellie, who is recovering from a mild case of jet lag. “Don’t talk to me, please,” Phyllis asks as she continually breathes in. Michael looks over the seat at his ill mother and aunt. “If you ladies don’t mind, I have a phone call to make once the plan is landed,” he says. “Believe me, son, we certainly do not care at this point,” Phyllis says as she waves herself with her own vomit bag. The stewardess appears and looks at all the passengers. “Ladies and gentlemen, we’ll be landing shortly, so please fasten your seat belts because it’s going to be a bumpy ride.” Phyllis’ eyes widen, and she places her hand over her face. “Oh, ****, not this again!” Later, after the plane has landed, Michael walks over to the pay phone as Ellie and Phyllis step outside. After paying the quarter and waiting through the incessant rings, the voice of an older man answers. “Yeah? Who is this?” the man asks. “Father, it’s me, Michael.” “Ah. So, I assume you and your mother landed in Dallas without much trouble,” Nolan says as he closes his legal book. Michael chuckles slightly and places his finger against his chin. “Well, Mother and her new sister didn’t fare well in, but we got through it in one piece.” Nolan looks at his clock. “I’m just closing up the office and handing out severance checks now, but I’ve got no choice! It’s sad to leave this place after almost ten years, but I’ll be wherever your mother is. She can’t get out of my sight,” he says firmly. “Be sure, Father, that word of me revealing this to you doesn’t get to her, all right?” Michael asks. Nolan chuckles and stands up. “Hmm. Don’t worry. I wouldn’t rat out on my partner in crime like that. Have I in the past?” Nolan asks. “No, I suppose you haven’t. I just feel a little bad for turning on her like this.” “You’re doing her a favor. She needs me, Michael. She can’t function without my very presence in her life, and she knows it. Phyllis Darth can’t fool me!” Michael glances at the airport entrance, where Miss Phyllis impatiently waves for her son to follow. “I better go. Mother’s getting a little antsy, and I better bring her to the ranch before she embarrasses me like she did on the plane,” he tells. “Oh! Before you go, I wanted to tell you something: I told your sister Mandy in Hollywood about our recent move, and she’s thinking of joining us. She says she has an old debt to pay, I guess. I don’t know what that means,” Nolan shrugs. “All right, I’ll be expecting you and maybe Mandy, too. Bye!” Michael hangs up the phone and rushes outside by where his mother and aunt are. “Michael, what in the hell kept you on that phone?” Phyllis asks as they step into the cab. “Oh, I had to call Jill up, Mother. She wasn’t too happy to learn that I left the state and moved so far away,” Michael answers. “Well,” Miss Ellie begins, “I know you and Jill are separated, but you’re just putting more of a strain on your marriage as it is!” “Your aunt is right, Michael,” Phyllis adds. “God, I thought you had told her when we were back at home.” Anita Smithfield Ewing’s Townhouse - Evening Anita sits comfortably on her sofa while reading a magazine as the doorbell rings. She puts it down and calls out, “Who is it?” After not receiving a reply, she struggles to get up and rushes over to answer. Seeing J.R. standing there with his sadistic grin causes her to slam the door, but he blocks it with his foot. “Now, is that any way to greet your husband?” J.R. asks as he steps in. Anita rushes over to the phone. “I’m calling the police!” J.R. quickly retrieves the receiver from her hand and puts it down. “Now, we’ve got a matter to discuss,” J.R. states solemnly. “You mean consummating our marriage, don’t you?” “Well, I’m glad you’re not getting slow on me,” J.R. replies as he takes off his jacket. Anita shakes her head and tries to free herself, but J.R. forces her onto the couch and begins taking her black blouse off. “J.R., let go of me! Let go of me!” Anita shrieks. J.R. holds her back by her arms and gains direct eye contact. “I gave you a chance, but we’ll have to do it the hard way!” Southfork Ranch; the Lounge - Late Evening Following J.R.’s absence was the arrival of John Ross and Sue Ellen from their pleasant evening out. Introductions were thoroughly made, and soon the whole room was filled with jokes and laughter, something that had been missed from the household for years and years. The cab carrying Phyllis, Ellie and Michael pulls down the stretched Southfork driveway. Unknown to anyone, a sleek black car is hidden on the abandoned farm across the street from the ranch, and Kelly begins photographing the taxi with a long-distance camera. Later, everyone’s fun-filled night is interrupted by the arrival of Miss Ellie, who bears a strong presence in the family, in the lounge. Bobby smiles at his mother and embraces her. “Welcome back to your home, Mama. It’s good to be back, Bobby,” Ellie says. “Are Auntie Phyllis and her son with you?” Bobby asks curiously. “Yes. I wanted to come in first, though, and see you all again,” Ellie answers, and they are all soon joined by Miss Phyllis and Michael. Miss Ellie smiles as her family welcomes her sister’s family into her home; then, she glances at Allison and believes her to be April. The string of emotions running through her is too much to bear. “Oh, my… oh, my God!” Ellie says as she begins to feel weak and falls back onto the chair. “Are you all right, Sis?” Phyllis asks in grave concern as she leans over. Miss Ellie suddenly loses her lively appearance, and her head leans to the side. Bobby reaches over to check her pulse. “I can’t feel… I can’t feel a pulse. Sue Ellen, call 911....” Sue Ellen tries to remain calm as she dials and asks for an ambulance. Allison backs into a corner in panic with Alexis, fearing that she was the cause of Miss Ellie’s apparent death… [/QUOTE]
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Dallas Reborn: Final Episode
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