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<blockquote data-quote="Crimson" data-source="post: 446012" data-attributes="member: 5079"><p>Maybe I was just feeling generous after the terrible THE TWO MRS. CARROLLS, but I enjoyed ABOVE SUSPICION (1943) more than expected. It's nonsensical claptrap but it's just so earnest in its nonsense that I just went along with it. This is probably Crawford's least interesting era; no longer the shopgirl, not quite the noir dame but she was vibrant and in full star power here. Except the few times he played a heel, Fred Macmurray always seemed genial but dull. </p><p></p><p> Debatable that this is a noir, but it sometimes gets classified as such.</p><p></p><p>[ATTACH=full]59829[/ATTACH]</p><p></p><p></p><p></p><p>If Jessica was a one-off with DALLAS's dalliance with Europe, I probably wouldn't have minded her much. As is, she seems to me the prelude to all the international shenanigans that would follow.</p></blockquote><p></p>
[QUOTE="Crimson, post: 446012, member: 5079"] Maybe I was just feeling generous after the terrible THE TWO MRS. CARROLLS, but I enjoyed ABOVE SUSPICION (1943) more than expected. It's nonsensical claptrap but it's just so earnest in its nonsense that I just went along with it. This is probably Crawford's least interesting era; no longer the shopgirl, not quite the noir dame but she was vibrant and in full star power here. Except the few times he played a heel, Fred Macmurray always seemed genial but dull. Debatable that this is a noir, but it sometimes gets classified as such. [ATTACH type="full" width="400px" alt="1794100530043.png"]59829[/ATTACH] If Jessica was a one-off with DALLAS's dalliance with Europe, I probably wouldn't have minded her much. As is, she seems to me the prelude to all the international shenanigans that would follow. [/QUOTE]
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