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Dallas the TV series
Knots Landing
Re-watching the Ewingverse ... alphabetically!
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<blockquote data-quote="James from London" data-source="post: 200361" data-attributes="member: 22"><p><em><u>And Away We Go!</u></em><u> aka </u><em><u>The One In-Between The One Where Tommy Beats Up April and The One Where the Ewings Go to Salzburg</u></em> (DALLAS, 7 Apr 89)</p><p></p><p>JR tricks genial businessman Gustav Hellstrom into believing he’s killed a stuntman in a barroom brawl in order to persuade him to hand over the inside information on Carter Mackay’s European deal. There’s an enjoyable familiarity in seeing JR set him up the way he has countless others throughout the years.</p><p></p><p>The nostalgia continues with the return of Afton after nearly five years. She’s presented as an internationally successful singer, yet seems to be at the same level of fame that she was in Season 4, i.e., singing for middle-aged rich people in supper clubs.</p><p></p><p>This is also the episode where Bobby and April’s romance begins in earnest. Whereas Bobby’s previous love interests (Pam, Jenna, Tracey Lawton) came laden with all kinds of historical and/or familial baggage, the idea seems to be that April’s free spirit is what attracts him to her. “I like you outrageous. It’s part of your charm,” he tells her in one scene. “You’re so honest!” he marvels in another. But if April is outrageous, it’s in a very watered down, anodyne way. When confronted by something genuinely unusual - a piece of abstract art - April makes fun of it in a smugly conservative way, and Bobby joins in. That seems to be their USP as a couple: their idea of "outrageous" is trading weak sitcom wisecracks. </p><p></p><p><u><em>... And Never Brought to Mind</em> aka <em>The One After Lilimae Runs Over Chip Outside the Police Station</em></u> (KNOTS, 3 Nov 83)</p><p></p><p>This one is nonstop action: Abby walks out on Gary. Gary sires Val’s twins. Chip slips into a coma. Lilimae is arrested. Karen bitches about Gary to her new pal Greg Sumner (“He doesn’t mean any harm — it’s only that in his wake, people lose their jobs, their marriages and their lives and he always feels guilty, but it’s never his fault”) before abdicating from her role as cul-de-sac matriarch when Val asks for help with Lilimae's disappearance (“I just don’t have anything left”). Diana rejects Karen. Karen rejects Laura. There are no certainties, there is no terra firma. And it’s only the sixth episode of the season! There’s so much going on and yet the characters are given enough space in which to exist that it still feels like <em>they</em> are driving the plot rather than the other way around. </p><p></p><p>And the winner is ... <em>... And Never Brought to Mind.</em></p><p></p><p>BONUS BEATS:</p><p></p><p>[MEDIA=youtube]ApN45aYiGzg[/MEDIA]</p></blockquote><p></p>
[QUOTE="James from London, post: 200361, member: 22"] [I][U]And Away We Go![/U][/I][U] aka [/U][I][U]The One In-Between The One Where Tommy Beats Up April and The One Where the Ewings Go to Salzburg[/U][/I] (DALLAS, 7 Apr 89) JR tricks genial businessman Gustav Hellstrom into believing he’s killed a stuntman in a barroom brawl in order to persuade him to hand over the inside information on Carter Mackay’s European deal. There’s an enjoyable familiarity in seeing JR set him up the way he has countless others throughout the years. The nostalgia continues with the return of Afton after nearly five years. She’s presented as an internationally successful singer, yet seems to be at the same level of fame that she was in Season 4, i.e., singing for middle-aged rich people in supper clubs. This is also the episode where Bobby and April’s romance begins in earnest. Whereas Bobby’s previous love interests (Pam, Jenna, Tracey Lawton) came laden with all kinds of historical and/or familial baggage, the idea seems to be that April’s free spirit is what attracts him to her. “I like you outrageous. It’s part of your charm,” he tells her in one scene. “You’re so honest!” he marvels in another. But if April is outrageous, it’s in a very watered down, anodyne way. When confronted by something genuinely unusual - a piece of abstract art - April makes fun of it in a smugly conservative way, and Bobby joins in. That seems to be their USP as a couple: their idea of "outrageous" is trading weak sitcom wisecracks. [U][I]... And Never Brought to Mind[/I] aka [I]The One After Lilimae Runs Over Chip Outside the Police Station[/I][/U] (KNOTS, 3 Nov 83) This one is nonstop action: Abby walks out on Gary. Gary sires Val’s twins. Chip slips into a coma. Lilimae is arrested. Karen bitches about Gary to her new pal Greg Sumner (“He doesn’t mean any harm — it’s only that in his wake, people lose their jobs, their marriages and their lives and he always feels guilty, but it’s never his fault”) before abdicating from her role as cul-de-sac matriarch when Val asks for help with Lilimae's disappearance (“I just don’t have anything left”). Diana rejects Karen. Karen rejects Laura. There are no certainties, there is no terra firma. And it’s only the sixth episode of the season! There’s so much going on and yet the characters are given enough space in which to exist that it still feels like [I]they[/I] are driving the plot rather than the other way around. And the winner is ... [I]... And Never Brought to Mind.[/I] BONUS BEATS: [MEDIA=youtube]ApN45aYiGzg[/MEDIA] [/QUOTE]
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Who played JR Ewing?
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Dallas the TV series
Knots Landing
Re-watching the Ewingverse ... alphabetically!
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