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<blockquote data-quote="Willie Oleson" data-source="post: 442077" data-attributes="member: 8">Ideally, the framed images (at least not as tacky as the ones in Knots Landing S12-14) would have been more recognisably designed as wine bottle labels, maybe without the scenery backgrounds. None of it looks very exciting anyway, except for the Gioberti mansion shot in a more lively and gothic angle.As bottle labels it would be more in line with the glass and the ripple effect. I agree with Snarky that the ripples should have been slower, more flashback-y.The way it&#039;s done for real the framed images still look like a brand, but a brand of nothing in particular - and the Del Oro Spa does not help. At all. (poor Lance!)These big intro revamps usually don&#039;t work for me, except for Knots Landing&#039;s third year.Edit: I completely forgot that the bottle label-frames was used in season 5, but I also disagree with that. It doesn&#039;t work with red.</blockquote>

[QUOTE="Willie Oleson, post: 442077, member: 8"] Ideally, the framed images (at least not as tacky as the ones in Knots Landing S12-14) would have been more recognisably designed as [B]wine bottle labels[/B], maybe [I]without[/I] the scenery backgrounds. None of it looks very exciting anyway, except for the Gioberti mansion shot in a more lively and gothic angle. As bottle labels it would be more in line with the glass and the ripple effect. I agree with Snarky that the ripples should have been slower, more flashback-y. The way it's done for real the framed images still look like a brand, but a brand of nothing in particular - and the Del Oro Spa does not help. At all. (poor Lance!) These big intro revamps usually don't work for me, except for Knots Landing's third year. Edit: I completely forgot that the bottle label-frames was used in season 5, but I also disagree with [I]that[/I]. It doesn't work with red. [/QUOTE]

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