Yes, I would not have been as upset at the revival if they had provided some attempts at balancing the viewpoints. I did not expect Murphy or any of the others to suddenly start behaving like Republicans...that would have been weird. But I know they were not as stridently liberal in the original.
I recall a few instances on the original series where they tried to balance out the left-leaning viewpoints. They even introduced a young, conservative (or perhaps Libertarian would be more appropriate) part-time correspondent on FYI for a season or so named McGovern (obviously modeled on MTV personality Kennedy). She questioned the others' viewpoints enough to make them have to explain themselves (not just operate in that "everyone thinks this way; how could you possibly think anything else?" bubble) and occasionally pointed out the hypocrisy of their points of view. The leads still did as they pleased and no minds were changed--which is fine--but at least there was representation of opposing points of view. The character didn't really catch on (for whatever reason) but recalling her being on the original series tells me that the producers did know back then that the scripts benefitted from having more than one 'side' represented. Now it seems they don't want that diversity of viewpoints, or maybe they simply don't feel the need to justify their hardline stance. Ironic, since Diane English took great pains in pre-publicity to say that she wanted the show to remind the public that the newsmen and newswomen of Murphy's era were impartial and had no 'agenda'.
The more obvious solution to the situation (and the one providing the most comic potential) would have been for Avery to grow up to become a moderate--that is, not overtly one side or the other. Having him disagree with his mother on occasion would force her to listen, since she can ignore practically anyone else but him. Another opportunity that they passed up on was using the character of Miles Silverberg as the 'opposing voice'. He could have developed conservative viewpoints on certain topics as he moved into middle age, and his occasional interjections in story meetings and/or show prep would harken back to the funny 'power struggles' between Miles and Murphy when he was the new, jumpy exec producer.