“...Some hick country town”: Watching ‘A Country Practice’

Carrie Fairchild

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I have wondered if ITV always intended to air Richmond Hill in the daytime, or if - had the series not been cancelled in Oz - they would have had a go at the early evening, which was the big ratings hitter for Neighbours.
There was the 5.10pm slot that prior to Home & Away, was the home of various gameshows. I’d imagine if Richmond Hill hadn’t been axed so soon, ITV would’ve split the hour long episodes and stripped it 4-5 days a week in that timeslot. It also mentions on Wikipedia that the vacated 6.30pm Crossroads slot could’ve been another option, but again that is just speculation.

Of course, Home and Away began just four months after RH on ITV, so presumably that was being lined up as the great hope even before RH began airing.
Both Richmond Hill and H&A premiered in January 1988 in Australia. I’d imagine ITV prioritised acquiring RH, given the Neighbours connection. When that plan fell apart, H&A was the Plan B. Given that H&A didn’t start on ITV until January 1989, I’m guessing that they didn’t acquire it until late in 1988.
 

Mel O'Drama

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I’d imagine if Richmond Hill hadn’t been axed so soon, ITV would’ve split the hour long episodes and stripped it 4-5 days a week in that timeslot. It also mentions on Wikipedia that the vacated 6.30pm Crossroads slot could’ve been another option, but again that is just speculation.

Given that H&A didn’t start on ITV until January 1989, I’m guessing that they didn’t acquire it until late in 1988.


Yes - that's pretty much my thought process on it as well. It's strange to think of a world where Richmond Hill took off and H&A wasn't given the support of a British channel, or ended up relegated to the 3:30pm Sons and Daughters/The Young Doctors slot.

The way it worked out was inevitable really. H&A was really strong right from the start. From what I remember, Richmond Hill - despite the familiar Watson/Grundy pairing and some well-known faces* - was fairly lifeless.


* It's kind of funny that Gwen Plumb appeared in the original cast of both, but when H&A was picked up from the pilot, she opted to go with RH. It's understandable as Mum Foote was more of a departure for her, whereas gossip Doris Peters was Ada Simmonds redux.
 

Carrie Fairchild

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The way it worked out was inevitable really. H&A was really strong right from the start. From what I remember, Richmond Hill - despite the familiar Watson/Grundy pairing and some well-known faces* - was fairly lifeless.
From what I’ve read, Richmond Hill suffered in its first few months, because a lot of the storylines were pretty grim. It lightened up and ratings were actually good when it was cancelled in Australia. It reportedly only got the chop because the network was trying to cut costs after spending $10m on Olympics coverage and the head of drama wanted it off the schedules to make way for E Street.
 

Mel O'Drama

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Season Two

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Golden Fleece



Even within the two-part episodes I’ve noticed there are also hidden some even smaller one-episode arcs. This may have gone unnoticed if it weren't for faces that would go on to be familiar being part of these. Leila Hayes and her asthmatic son, for example, only appeared in the first episode of that two-part story, with some low-key resolution before they vanished.

In this episode, that role goes to the future Donald Fisher as Neville. It’s an interesting little role, with the character visibly nervous and overwrought, escalating a little with every scene as he tries to rush results of his blood tests, convinced something is being hidden from him. Unfortunately, there isn’t a doctor to be seen, so he ends up holding Shirley at knifepoint (well, letter-opener-point, since that’s the most vicious tool to hand) until she is rescued by Frank (and so propelling that relationship a little further with Shirley being too grateful to snark at him anymore). Simon, when he does finally show up, diagnoses some kind of toxicity from an excess of some vitamin or hormone or something, and poor Neville is ushered off to Sydney for treatment, presumably making a full recovery.

The reason the surgery is so devoid of doctors is because Terence is disappearing on trips to Sydney. Initially for business, but then because he meets Trudi, who combines the gruff lorry-driver’s bluster of David Palmer with the ego and singing talents of Garnet McGee. It’s a deadly combination, and Terence falls hard for this rough diamond who follows him back to Wandin Valley.

Terence takes her to to the club where she hijacks the stage and a local guitar player and raises hundreds for the hospital with a set of songs that we experience rather too fully. One can’t help feeling she’d have raised even more had she demanded money to stop singing.

Thanks to her easy charms and incredibly tight jeans, the locals fall for Trudi’s no-frills charms… with two exceptions. Vicky feels Trudi is a grifter who has got her claws into a doctor and is playing him like a fiddle (and this while Vicky is playing games with Simon by telling him they shouldn’t spend any more time together. I suppose nobody knows a woman like another woman). And Terence hides Trudi completely from poor Marta, meaning dateless Marta spends her time on a late shift at the hospital while everyone else is out getting pissed.

There’s a semi-amusing sub plot with Bob trying to fit the bidet Molly’s mother has sent the Joneses along with the replacement loo, without having a clue what it is. He initially mistakes it for a very low sink, and then a urinal. Bob’s toothache also provides a somewhat more tedious sub-plot, with the drunk medics - after breaking into the dentist’s surgery - performing surgery on the even more drunk Bob (someone - Shirley I think - blithely comments that since Bob is too drunk for an intravenous anaesthetic, they’ll simply use nitrous oxide instead). When Terence, Simon and Brendan fail, Vicky is called to extract the offending tooth. Still, I do love the relaxed small town attitude of the staff. No matter what happens, Terence invariably instructs the staff to treat someone with X serious medicine “and I’ll write it up later”.

According to a table on the always-reliable Wikipedia, Bob is one of three characters who became a regular for Season Two, with the others being Esme and Vernon, but none have yet been added to the credits, there’s no sigh of Esme and we haven’t even met Vernon yet. Still, I suppose it’s a very long season, so it’s early days.

There’s a familiar face in the future Spider Webb, here playing Eldred, a hospital patient who forms a bond with a juvenile delinquent who Frank orders to do community service at the hospital. It’s a surprisingly effective little arc. The young actor playing Jason (or Jacko, because he insists “Jason is a pouffy name”) feels like a seasoned pro, giving great attitude and - despite looking around eight years old - smoking like a navvy (he even inhales. Lorrae Desmond should take a few notes. I’m constantly distracted by seeing her holding her cigarette and constantly flicking ash into an ashtray without putting it anywhere near her mouth. Smoke or don’t smoke, for Christ’s sake). He’s from the Jodie Foster “old head on young shoulders” school, and this makes the angry boy’s bond with this sage old man feel more meaningful.

Of course this is another example of the blithe townspeople throwing the rule book out of the window, which adds to the entertainment. He is left to provide massage treatment to Eldred (“just do this on his elbows, shoulders, buttocks…” instructs Brendan casually before leaving him to it) and witness to things that someone his age simply shouldn’t be. He is there when the old man has a stroke, and staff don’t even notice he’s there for about five minutes, after which he is slowly ushered out.

After the stroke, Jacko continues to be Eldred’s key-worker. When Eldred manages to write down “dog” with the hand on his functioning side, Jacko goes to the vet to check how Zeus is doing. Since we were approaching the end, I had a feeling what was coming next and sure enough, Jacko returned to find Eldred’s bed empty and made up, and was informed that Eldred had died. It reminded me very much of that scene where Bobby ran to Alan Fisher’s hospital room to make much the same discovery and, even though it wasn’t as powerful here as it would be there, it was effective enough.

Jacko is eventually relieved of his duties, though says he may continue to drop in (spoiler, it looks as though he may drop by at least once more). And by the way, he mentions, he’s decided to keep Eldred’s dog. Brendan and Marta tell him that’s nice and let him go away to care for this living being. All things considered, Zeus may be safer with Jacko than any of the qualified medics.
 

Mel O'Drama

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From what I’ve read, Richmond Hill suffered in its first few months, because a lot of the storylines were pretty grim. It lightened up and ratings were actually good when it was cancelled in Australia.

That context is interesting. I hadn't realised. I can't remember how much of RH I watched, but I'm fairly sure I would have caught a couple of early episodes and I know I watched the last few (the final episode was the only one I remember having recorded onto videotape, even though it mostly ended up feeling fairly standard and anticlimactic).

None of what I saw really lingers in the memory. I think the location scenes with Mum Foote's farm were among the better ones but I seem to remember it feeling very studio bound with flat lighting and overly bright clothing. It reeked to me of trying to recreate Neighbours, but failing to capture the magic sparkle of that show.

Since I haven't seen it for the best part of four decades, I may be completely misremembering. If Via Vision* release the whole thing, I'd certainly be up for giving it another go in the hope of being pleasantly surprised.



It reportedly only got the chop because the network was trying to cut costs after spending $10m on Olympics coverage and the head of drama wanted it off the schedules to make way for E Street.

Which ironically seemed to do poorly in the ratings in the beginning.

It's funny, isn't it. Sometimes the stats don't matter, and it doesn't matter if something is popular or has a great cast. If it's not in favour with one influential person who doesn't consider it their pet project, it's a no-win situation.

I'm sure I saw some of early E Street as well, but darned if I can remember a thing. The hard hitting issues and sensationalist approach of courting controversy make it seem like a bizarre cross between ACP and Number 96, so it's another series I'd be curious to see again, but I have a feeling I would be an early years only kind of person. I'm certainly put off by the Mr Bad thing, which seems to be something it's mainly remembered for today.







* Speaking of Via Vision, I will note that the image quality on the ACP DVDs is better than I'd anticipated. When I took a peek at their S&D DVDs, the episodes looked unpleasantly grainy and fuzzy... much worse than the same episodes on the old Umbrella releases. Season One of ACP looked very nice indeed. Season Two so far has lost a little quality (presumably due to increasing the amount of episodes per disc) but still looks decent.
 

Carrie Fairchild

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Leila Hayes
future Donald Fisher as Neville
There’s a familiar face in the future Spider Webb, here playing Eldred
I always liked spotting future soap stars in shows like this and Prisoner. Given that ACP predates both Neighbours and H&A by a few years, quite a lot of future regulars on those shows pop up as ACP guests.
the final episode was the only one I remember having recorded onto videotape, even though it mostly ended up feeling fairly standard and anticlimactic
Production ceased immediately when the axe fell, so they never got a chance to film a proper final episode.
None of what I saw really lingers in the memory.
My only recollection of it was some scenes at the real estate office, which I’m presuming is from when it aired on UTV, the Northern Irish ITV region.
I'm sure I saw some of early E Street as well, but darned if I can remember a thing. The hard hitting issues and sensationalist approach of courting controversy make it seem like a bizarre cross between ACP and Number 96,
It was actually originally pitched as a grittier A Country Practice, as the creator was a producer that had worked on ACP.
 
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