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Instead of Hack and Roberts, they should have had a delicious black angel for the last two seasons.
Nolan did say, while holding Linda Evans' hand on DONAHUE (I believe), that Kate comes off on screen as being so sweet and cute, and that "she's not." And in a later interview, said that Kate was so neurotic that once, during a period in which they were barely speaking to each other, Kate came up to him and asked him if he wanted to join a group of them who were going to Paris for the weekend.I imagine Nolan Miller was as skilled at tact and diplomacy as he was at fashion or else he would not have had such a long career yet when asked about Kate Jackson, he didn't hold back. Miller said Jackson was an unprofessional, temperamental diva (I'm not quoting him, but that's the gist of it). I understand many in Hollywood shared this opinion.
And she had a pre-cameo in ANNIE HALL!Grant Grant said:Yes, as bizarre as it sounds the producers actually thought casting the model featured in the ads for "Charlie" perfume would be a good way to generate publicity for the series (as if it suffered from lack of publicity). I understand their desire to find someone to replace Kate Jackson as "the smart angel" but wouldn't acting ability be a prerequisite? Hack was supposedly so bad at simple line-readings that they gave many of her lines to Jaclyn Smith instead. Despite this, Martin Scorsese cast her in "The King of Comedy". I enjoyed her in "Vanities" (a stage play aired on HBO) and "Jack and Mike". I find it ironic that someone not up to the task of acting on "Charlie's Angels" is, in real life, extremely intelligent and accomplished.
I've never seen the TV Tales of Charlie's Angels. I've seen The Golden Girls one, but not this one.
Apparently before Spelling-Goldberg decided on Shelley Hack, singer-actress Shari Belafonte was considered as having potential to replace Kate Jackson. I don't know if a role was offered, but refused, or it a meeting with her switched the producers' minds. Couldn't say.Instead of Hack and Roberts, they should have had a delicious black angel for the last two seasons.
Apparently before Spelling-Goldberg decided on Shelley Hack, singer-actress Shari Belafonte was considered as having potential to replace Kate Jackson. I don't know if a role was offered, but refused, or it a meeting with her switched the producers' minds. Couldn't say.

I'll give some of her Hotel work a look later on. Thanks for the suggestion.Well, watch one scene with Shari from "Hotel" and you will be able to say...![]()
I decided to revisit Season Four today with two episodes as my re-introduction:
The first was "Fallen Angel", the first episode of the season to feature Farrah Fawcett in the fourth of her six contract-obligated guest gigs. The Angel trio (consisting this year of Kelly, Kris, and Tiffany) are recruited to catch Damien 'Ice Cat' Roth (guest star Timothy Dalton), an infamous jet-setting jewel thief, who happens to be in love with Jill. All turns out well, however, because it turns out Jill was doing some undercover work for Charlie to help nail Roth.It has been some time since I've watched any episodes of the show, so I wanted to revisit some I remember fondly. These episodes still let me know why I love the Angels, but I now look at this fourth year in a different light. We've been discussing Shelley Hack, her character Tiffany Welles, and the actress's tenure on the series a bit here, so that's a main reason I wanted to give Season Four another look.
I then flipped through the DVDs, and decided on "Catch a Falling Angel", which plots the Angels trying to salvage country girl Bess-turned-porno star Sally Storm from her pending doom at the fate of her ruthless producer boyfriend. They end up rescuing her.
There were a few things that certainly stick out from these two episodes. Tiffany (or Shelley, however you wish to reference her) has close-ups, but she hasn't too many with other characters. She has some with Bosley, but her shots with the other Angels, in these two episodes at least, are scarce. I recollect reading an article on Hill Post some time ago where they drew from the fourth season finale's final scene that concludes on a shot of Kelly and Kris together, but leaves Tiffany out. They reasoned that this foreshadowed the producers' dismissal of her, and thus preparing their viewers for the new Angel that would enter the following year.
I certainly don't think the Season Four ratings erosion can all be placed on Shelley Hack. She isn't the best of actress in these episodes, especially the earlier ones, but once she's given more screen time and more to sink her teeth into, I do think she fits in with the series rather nicely. Of course, kinks could have been ironed better and far earlier than they were, but I think she could have worked well enough to stay for the last season, especially since everyone knew the 1980─81 season would be the last year any way. Almost all knew Jaclyn Smith didn't want to extend her contract, Cheryl Ladd and David Doyle were weary to continue, and John Forsythe had already started filming Dynasty.
I think had the episodes been reorganized the reaction to Hack's Tiffany Welles wouldn't have been as harsh. This season is full of episodes placing an individual Angel at center stage and having the rest of the core cast more or less as wallpaper around them. The problem here is the Tiffany-centric episodes don't start until almost halfway through the season. Her episodes are decent, and some I'd argue are more entertaining than the Kelly and Kris ones.
Either way, it wasn't all Shelley Hack's fault. I wish they would have kept her.
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Apparently before Spelling-Goldberg decided on Shelley Hack, singer-actress Shari Belafonte was considered as having potential to replace Kate Jackson. I don't know if a role was offered, but refused, or it a meeting with her switched the producers' minds. Couldn't say.
The fact that they later cast her in Hotel must mean that she couldn't have made too bad an impression.Well, watch one scene with Shari from "Hotel" and you will be able to say...![]()
That I remember being reported at the time.Barbara Bach,
Perhaps they liked her, but didn't think she'd fit as an Angel, or maybe they were pressed for time, or maybe that simply decided to go another route. I suppose they kept up with her, and by the time her Hotel gig came around, they felt she was ready to proceed.The fact that they later cast her in Hotel must mean that she couldn't have made too bad an impression.
Speaking of Presley and Welch, rumor has it they were each considered for as potential Angels in the show's earliest stages. Spelling apparently offered Presley a role and a rather lucrative paycheck, but she declined because "she disliked the show". What ever that means, I don't know.It was the time when famous last names meant something, remember? Presley, Belafonte, Oxenberg, Welch... The more famous, the least talented...
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"I´ll say whatever lines I want to say,
I´ll wear whatever Travilla gowns I want to wear,
and if you disagree, the power of Elvis will fall on you...
Oh and Bobby loved emeralds just because I do..."
She probably thought it was dumb. But she would have fit in perfectly.Speaking of Presley and Welch, rumor has it they were each considered for as potential Angels in the show's earliest stages. Spelling apparently offered Presley a role and a rather lucrative paycheck, but she declined because "she disliked the show". What ever that means, I don't know.