Here's my list:
1. THE GOLDEN GIRLS -- undeniably my favorite sitcom ever. The four leading actresses (Bea Arthur, Betty White, Rue McClanahan, and Estelle Getty) make for a delicious quartet. They work very well together, and that, coupled with snappy and sharp writing, make this an easygoing, laugh-filled show. If only they kept their heads to the ground in ironing out all the messy continuity.
2. I LOVE LUCY -- sitcom royalty at its finest. Lucille Ball and Desi Arnaz play good together as the lovely Mr. and Mrs. Ricardo, and Vivian Vance and William Frawley make for some great second bananas. I have a great appreciation for this show and all the "firsts" it originated, and I love it on those merits.
3. GILLIGAN'S ISLAND -- Sure, it's loud in that late-'60s kind-of-way, but the ensemble cast play off one another deliciously well. Jim Backus and Natalie Schaefer are my personal favorites of the cast, although the show wouldn't have been the same had anyone been different, especially if Bob Denver hadn't been at the head as the bumbling Gilligan. It was a good, silly show, and one I think ended much too soon.
4. GREEN ACRES -- Yeah, this surrealist comedy can get on your nerves if you're not in the right mood, but I find it quite hilarious. Eddie Albert and Eva Gabor have strong on-screen chemistry as Oliver and Lisa Douglas, and the characters that surround them make Hooterville a zany little hick town that I'd probably like to visit, you know, if it were real.
5. THE BEVERLY HILLBILLIES -- Like many, I'm partial to the B&W seasons. Once it went to color, it lost some of its zing. But when the show was fresh and new, it was hilarious. The core cast (especially when Bea Benaderet was around) was fabulous, and it barely made a misstep for its first three seasons. The fact that it's been recycled endlessly in reruns the past 50 years owes to its longevity as a standout comedy.
6. DESIGNING WOMEN -- If this show didn't have a cast shake-up five seasons in, and if they'd lay off on the heavy-handed issues, it would be higher on my list. Like most comedies, the core cast is precise and play off each other well. I think Suzanne Sugarbaker (Delta Burke) is easily one of the finest sitcom characters there's ever been. Jean Smart and Dixie Carter are other fine actresses, with Annie Potts -- in my mind -- being the weakest link. The cast changes in the final two seasons set this show in a new direction and its credibility deteriorated.
7. ROSEANNE -- I'm particularly partial to the first three seasons of this groundbreaking middle class comedy. After Darlene "fades to black", the show just wasn't the same. Sure, there's still the occasional gem in those later seasons, but the prime of this show was its initial three seasons. Roseanne is a hilarious, and unusual, center character for a series, and John Goodman is a delight as her firm husband. Perhaps the funniest on the show was Laurie Metcalf as Roseanne's flighty younger sister.
8. MAMA'S FAMILY -- I know this show won't top anyone's list, but I've always enjoyed it. Once the series hit its stride in first-run syndication, it flows nicely. Vicki Lawrence is flawless as Mama, and the remaining cast members -- Ken Berry, Dorothy Lyman, Beverly Archer, and Allan Kayser -- turn in performances stronger than the scripts. Of course, the earliest, network seasons have guest spots by Carol Burnett, Harvey Korman, Rue McClanahan, and Betty White, which are always a delight.
9. REBA -- The newest of the sitcoms I'll have on this list. I've always enjoyed this little Southern comedy. Reba McEntire, a country star, is an ideal lead for this type of series. What I admire about this show is how the characters seem real, albeit exaggerated, and how nothing offensive happens. There's very little language or suggestive content. Melissa Peterman as Barbara Jean is outright hilarious. Had she not been there, the show wouldn't have been as good.
10. THE ANDY GRIFFITH SHOW -- If I had seen more of this show, it would be higher on my list. I have fond memories of watching it would my father, especially the first five B&W seasons. Andy Griffith and Don Knotts make a goofy on-screen duo, and the rest of the characters shape Mayberry into a real-life town I would've liked to have lived in as a kid. Once it went to color, it shifted too much and I loose interest.
Had I taken more time with this (I've typed it on my cellphone), some of these might've been in a different order. But, for now, this is where they fall.