Marilyn Monroe: Highlight Edition

Crimson

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When I was a kid just getting into classic movies, a local second hand book store always had issues of "Hollywood Studio Magazine". I collected stacks of them. Marilyn was on the cover frequently; and I think Jayne too. I lost my collection long ago, but just repurchased this one on eBAY. If I enjoy it, I might start collecting others.


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ClassyCo

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They call Barbara Nichols "the poor man's Marilyn Monroe", which is a title I often hear associated with Jayne Mansfield. They call Beverly Michaels the "B-movie version of Marilyn".

To me, I think Barbara Lang had the most unused potential. Her credits as an actress are so brief, but she was beautiful and had a "look" to be a star, and perhaps a true successor to Monroe. Heck, she was at MGM, the biggest studio in Hollywood at the time.
 

Crimson

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I've never seen Barbara Lang (nor Beverly Michaels and Cleo Moore) in anything. There are a few photos where Lang was clearly made up to look like Marilyn, but most of the time she looked more like Martha Hyer.

As noted before, most of these 50s blondes who were (retroactively?) regarded as 'versions' of Marilyn had almost nothing in common with her; at best, they may have been inspired by Marilyn circa 1951 and never moved beyond the starlet/pinup girl phase.
 

ClassyCo

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As noted before, most of these 50s blondes who were (retroactively?) regarded as 'versions' of Marilyn had almost nothing in common with her; at best, they may have been inspired by Marilyn circa 1951 and never moved beyond the starlet/pinup girl phase.
This sums up a lot of them. For years, the only image I had of Joi Lansing, Cleo Moore, Barbara Lang, Beverly Michaels, Barbara Nichols, and even Sheree North and Mamie Van Doren, were from the pin-up pictures I saw via Google and their Wikipedia pages.

Of course, that image has swelled over the years as I have now seen all of them in something.

Barbara Lang
Barbara Lang probably had the briefest splash of celebrity during the 1950s. Her career was almost cut extremely short when she attracted a disease that paralyzed her legs and face muscles. When she finally healed, she turned to singing in nightclubs to pay off her medical bills.

She appeared in several DEATH VALLEY DAYS episodes, and ultimately got a contract with MGM. Her only leading role was in HOUSE OF NUMBERS (1957), which I've seen once. It's a decent, run-of-the-mill crime-prison break movie. Her biggest loss was being ousted from JAILHOUSE ROCK with Elvis. That might've actually helped sustain her.

Beverly Michaels
Beverly Michaels' first role was in a Barbara Stanwyck movie called EAST SIDE, WEST SIDE (1949). She was a protégé of independent filmmaker Hugo Haas, who actually had some talent, but lacked the A-movie financing. He produced THE GIRL ON THE BRIDGE (1951) and PICKUP (1951) for her, but their partnership dissolved. She is best known for starring in WICKED WOMAN (1953), which is perhaps her signature movie. It's a downright good B-movie, and I love the theme song to it. I've seen it twice. She later married Oscar-winning producer Russell Rouse.

Cleo Moore
Cleo Moore made some good B-movies during the 1950s -- ONE GIRL'S CONFESSION (1953) and HOLD BACK TOMORROW (1955) are two good ones. She left movies in 1957, and she went on to make millions in real estate.

Martha Hyer
She's in THE SONS OF KATIE ELDER (1964) with John Wayne. She's in several other good movies, too.
 
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Snarky Oracle!

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They're planning to demolish Marilyn's death bungalow:

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Crimson

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She's in THE SONS OF KATIE ELDER (1964) with John Wayne. She's in several other good movies, too.

I think she was best in THE CARPETBAGGERS (1964), which is most definitely not a "good movie". But she was a more convincing blonde bombshell than Carroll Baker in the same movie. The character was loosely based on Jane Russell, although any similarity was lost in the translation from page to screen.


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Soaplover

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Apparently the director of the upcoming Monroe biopic BLONDE made some disparaging remarks about GENTLEMEN PREFER BLONDES, but I'm gratified to see Classic Film Twitter leapt to the movie's defense.

I agree with some of the comments under: if I had to pick one movie to use as a gateway to classic films to someone who dislikes old movies, this is the one I would pick!

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Of her movies... Gentlemen Prefer Blondes is probably the most charming and timeless. This movie shared so many elements with the classic screwball comedy.. with Russell and Monroe both having witty banter with one another and with others... plus Monroe stuck in the window as she's trying to sneak out of a room was comedic gold.

Russell with the swim team and Monroe proclaiming her love for diamonds while in Pink are two of the most memorable musical numbers... and then her brief speech at the end where she said she's smart when it's needed.. but that most men don't like when she's smart is as relevant today as it was in the 1950s.

Part of me wonders how Something's Got to Give would have turned out had she completed it. Based on the scenes that she managed to film, she did seem to ditch some of the more breathy/ditzy elements on her 50s work.. but we'll never know. Plus.. imagine had she lived to play in What a Way to go instead of Shirley McClaine.
 

ClassyCo

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Of her movies... Gentlemen Prefer Blondes is probably the most charming and timeless. This movie shared so many elements with the classic screwball comedy.. with Russell and Monroe both having witty banter with one another and with others... plus Monroe stuck in the window as she's trying to sneak out of a room was comedic gold.

Russell with the swim team and Monroe proclaiming her love for diamonds while in Pink are two of the most memorable musical numbers... and then her brief speech at the end where she said she's smart when it's needed.. but that most men don't like when she's smart is as relevant today as it was in the 1950s
BLONDES is my favorite Monroe movie, which is only heightened by her on-screen chemistry with Jane Russell. The duo turn what is really a routine musical comedy into a cinematic classic. The film is beautifully gawdy in Technicolor, and has some great supporting performances from Charles Coburn, Elliott Reid, George Winslow, and Norma Varden, among others sprinkled throughout.

Monroe's "Diamonds Are a Girl's Best Friend" is one of the most iconic musical numbers in film history. It has been parodied and mimicked for years by everybody from Madonna to Anna Nicole Smith.

Part of me wonders how Something's Got to Give would have turned out had she completed it. Based on the scenes that she managed to film, she did seem to ditch some of the more breathy/ditzy elements on her 50s work.. but we'll never know.
I am apt to believe SOMETHING'S GOT TO GIVE would've been one of Marilyn's best movies had it been completed.

As you say, you can see in what footage we do have that Marilyn was allowing her bombshell image to mature. Her breathiness was easing out of her on-screen persona, even as the sexiness itself was retained.

I think Marilyn could've found her own place in the bedroom comedies of the early-60s, edging a way more sexily progressive than the likes of Doris Day or Sandra Dee.
 

Snarky Oracle!

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Interestingly, I don't think I've ever actually seen GENTLEMEN PREFER BLONDES -- only snippets. Given the gushingly positive reviews here, I should take pains to see it.
 

ClassyCo

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Interestingly, I don't think I've ever actually seen GENTLEMEN PREFER BLONDES -- only snippets. Given the gushingly positive reviews here, I should take pains to see it.
Honestly, I think you'd like it. Of course, it isn't anything groundbreaking and it slides Marilyn right into her "dumb blonde" stereotype, but that coupled with Russell's brassy sarcasm makes for good on-screen interplay. If Marilyn and Jane weren't the leads, it would still be a good movie, but definitely not the enjoyable romp it turned out to be.

As a side note, it has a surprising lack of musical numbers for a "musical comedy," especially for the time period.

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Snarky Oracle!

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Honestly, I think you'd like it. Of course, it isn't anything groundbreaking and it slides Marilyn right into her "dumb blonde" stereotype, but that coupled with Russell's brassy sarcasm makes for good on-screen interplay. If Marilyn and Jane weren't the leads, it would still be a good movie, but definitely not the enjoyable romp it turned out to be.

As a side note, it has a surprising lack of musical numbers for a "musical comedy," especially for the time period.

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And @Crimson cited it as his favorite Marilyn movie, and one of his Top 10 films from the 1950s. So that's enough reason to make a focused attempt to watch it.

BTW: Jessica Lange made such a good Marilyn-esque character in BLUE SKY because Lange and Monroe are both Leo Rising/Moon in Aquarius (different Sun signs, of course).

 

Crimson

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And @Crimson cited it as his favorite Marilyn movie, and one of his Top 10 films from the 1950s

Oh, more than that. It ranks high among my favorite films period.

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Every so often, I have been asked to recommend a classic film to someone who doesn't like "old" stuff. I always recommend GPB. It's in Technicolor, so no objection from people who hate B&W. It stars Marilyn, who even people who know nothing about Old Hollywood are familiar with and, probably, curious about. It's not too long and moves at a zippy pace. It's got two sexy women for the fellas; one of the best on screen female friendships for the ladies; camp for the gays; and I guess point #1 for the lesbians. It's fun, funny, gaudy and subversive.
 

ClassyCo

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Oh, more than that. It ranks high among my favorite films period.

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Every so often, I have been asked to recommend a classic film to someone who doesn't like "old" stuff. I always recommend GPB. It's in Technicolor, so no objection from people who hate B&W. It stars Marilyn, who even people who know nothing about Old Hollywood are familiar with and, probably, curious about. It's not too long and moves at a zippy pace. It's got two sexy women for the fellas; one of the best on screen female friendships for the ladies; camp for the gays; and I guess point #1 for the lesbians. It's fun, funny, gaudy and subversive.
Side note -- I like that A LETTER TO THREE WIVES (1949) ranks so highly on your list (assuming this is an accurate list of yours). I love that movie. Joseph L. Mankiewicz was a wonderful filmmaker.
 
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