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Georgette's inclusion in the cast originally had an ulterior motive to humanize Ted. Ted Knight had been increasingly resentful about playing the buffoonish Ted Baxter and pushed the producers to add depth to the character.
This makes sense. Thanks for the context. The arc so far has reminded me of Arthur and Vivian over on Maude in that it gives a bit of grounding and purpose to an existing character who might long-term have become aimless, repetitive or predictable (even though Ted's predictability has been perfectly enjoyable for me up to this point, even before Georgette).
I thought Nanette was particularly well cast. She was one of Mary's comedic inspirations and looked like she could have been Mary's mother.
After watching one of her episodes I looked for more information on the actress and found a couple of photos of her taken in the Fifties where the resemblance really jumped out.
Odd that the character ws never seen again.
To have her parents move around the corner, somewhat to Mary's dismay, and to never even have her mention that they moved away, is an unusual fumble for the show.
I was taken aback to discover I'd already seen the last of Mary's parents when really they've just arrived and it felt as though it was setting up some long-term recurring cast members.
RHODA isn't necessarily a bad show, but it's not good either. It never found its identity or its focus. Even Rhoda herself lost much of the spark from MTM.
There was never the clarity that existed on the parent series -- there's a rolling sea of pleasantly lame episodes, one after the other, that just don't entirely work.
Since I'd be unlikely to shell out for the overpriced DVDs, this knowledge helps cushion the blow.
I said earlier in the thread that MTM's handling of 'issues' was more subtle than on Norman Lear's concurrent shows, but I think a better description is matter-of-fact. Rhoda being Jewish, Gordy being Black, Phyllis' brother being gay, Mary being sexually active and on the pill -- these things simply were. On Lear's shows these would have been hot topics for the principals to argue over, but on MTM they just existed.
Since I've been just letting the series wash over me, this fact hadn't actually crystallised with me. But as soon as I read this I realised how true this is.
One of MTM's few message episodes, the previously discussed "Some of My Best Friends are Rhoda", was not well liked by the show's creators. Allan Burns, the co-creator and writer, called the episode "a little preachy" and "not our MO". They would deliberately avoid any further episodes that trod into Norman Lear territory.
I think it was the beginning of the Third Season (shortly after the Some Of My Best Friends... episode) where I feared it might be heading in this direction by getting heavy-handed with the feminism. Two or three of the early episodes this season had Mary treated differently or turned down for something she wanted or singled out in some way on the basis of her gender. It was a relief that they didn't really delve too deeply.